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2012 furniture design in China

As the industrial revolution took place, gave birth to adapt to the industrial production of a new design. Inevitably, this design with a taste of machine: rational, accurate and indifference. It is universal, international, and relative to the past is designed to meet the needs of more people, and towards a more popular direction. It is further promoting democracy, freedom, equality, with traces of historical progress. However, with the development of this type of design style, its dull and inhuman abuses is gradually exposed, its single design approach has become the shackles of designers. Thus, decline of modernism, postmodernism, and gradually replaced the modern design style. Postmodern back toward tradition, derived from the traditional sign language, and then break it, refactoring, new forms of humor, playful attitude. As Hegel said: "the only nation, is the world of" nationalization of highly, highly emotional, will be part of a future design trends. China now appears to be in a postmodern era, China dress hot, antique hot in recent years, as well as white-collar affection for the Ming-style furniture, are people returning to the traditional Chinese culture. The furniture market in recent years, there is a design group, although their styles are different, but more or less precipitation of Chinese culture, from this point on, you can classify as its called "Chineseness," furniture.
First, different "Chineseness,"
On the question of inheriting the tradition, facing the future, many designers have their own understanding. Not only Chinese designers, even many foreign designers through his work, expressing a unique understanding of traditional Chinese culture. Tradition is the objective, but the traditional understanding from person to person. Different designers with different forms of language, churning out a whole bunch of "Chineseness," furniture.
1) authentic ancient furniture
This is a pure ancient treasures or genuine antique furniture, hand-made, excellent selection, Seiko, has a very rich cultural connotations. Local application of this type of furniture in modern style of Interior environments, so that people in history and modern looking as if through the tunnel. Current furniture: Ming-style armchair, Ming-style hat chairs in pairs, Ming-Ming-squat and square table, Qing-style armchair. This type of furniture combined with unique Chinese silk, Brocade, Chinaware and arrangement of Chinese painting, even more faint the scholarliness of the ancient and powerful card.
2)
This type of furniture is to use some old furniture with a little modification to meet the new demands of modern life. For example, an ancient lantern, does not leave it hanging on the roof, but on the ground, and on top of the lantern and a round glass, its diameter is about one meter, will become a beautiful coffee table. Sell furniture master only this little trick, just completed a wonderful design. Through the looking glass wood frame of the Lantern, more moist. In addition, the coffee table when not in use, put the glass down, play the advantages of lamp frame foldable, saves space, suitable for modern living space crowded conditions.
There are Ming-style Dresser into computer tables, changing the medicine cabinet drawer CD Cabinet, locker into a bedside table. Best of all is in the Ming style Cabinet, dense pockets of Beehive aluminum frame, it can hold hundreds of bottles of wine become the very large drinks Cabinet. "Wine is with the sweet", using the wine cooler, wine seems to be more of the flavor. This furniture is said to have won the foreigners, particularly American favorite.
3) juice is not the original flavor of modern furniture
This furniture is the most fundamental feature is that for industrial mass production instead of workshop. Therefore, it is no longer as a handicraft, but exists as a public consumer goods, its shape is more simple, more comfortable to use. "Race" is large, which includes a lot of style, "tradition, age and personality" on all three in this type of furniture to lay a deep impression.
How to inherit the tradition, but also on how to create the future, different researchers are very far apart. Researchers have furniture from the inheritance of Chinese traditional culture in the Ming-style furniture, with the "fuzzy image, space and time" to design modern furniture, furniture from Chinese-specific "God and potential". Some researchers is a completely different way, they extract the Ming-style furniture in the best of form elements, reassembled in order to meet the modern lifestyle and aesthetic practices.
Due to the different starting point for designers, design work also tends to show a completely different style. Designer of "all" second generation furniture, try incorporating Chinese cultural spirit in modern furniture design. China's art philosophy into three parts: the beauty of simple and practical way, gentle, and try to get in a design material, shape, color quality and reasonable relationship between technology and performance characteristics of the material itself. This work uses traditional materials – wood, rational use of modern processing techniques combined with the use of furniture, the wood show-specific material and functional beauty. There are designers with a particular image of Ming-style furniture, extract elements, deformed, with "postmodern" realignment of approach in their design, their repeated use of dingbats strengthening the wholeness of the furniture, increase of functional furniture show with traditional small differences.
4) exotic floating "Chineseness,"
Some foreign designers into contact with Chinese traditional art and design, also can draw inspiration, design some very "Chinese" furniture. This furniture is often popular, has a very high market share. At present, Chinese furniture has not been good to the traditional and modern fusion, in this case, learning and design of some foreign experiences for reference, in the formation of modern Chinese style furniture of great significance.
In 1949, the Hansi·weigena complete the "classical" Chair "design, this Chair is known as one of the most beautiful chairs, has drawn wide attention. This classic Chinese Ming style armchair reduced to "a little too heavy, less feels" the perfect situation. This Chair is suitable for a variety of occasions, both at home and abroad was a huge commercial success.
Hansi·weigena "Chinese Chair" in terms of shapes and spatial relations, Ming-style armchair is basically unchanged. Material take advantage of Scandinavia is rich in forest resources, mainly in natural wood, the texture of the wood itself as the main decoration of the Chair. On the whole give a simple, elegant, natural, Ethereal feel, in line with the basic art of Ming-style furniture features. Wigner transformation of Ming-style armchair is expressed mainly in the decorated streamlining-the effect of teeth, single plate on the back of local is carved completely give up, showing the simplicity of modern industrial products. Additional cushions on the surface, increased softness and breathability, makes using more comfortable. Chair leg style coarse-fine, solemn vigorous momentum of Ming-style armchair, but adds a lively interest, convey the atmosphere of modern life.
"Chineseness" furniture in the family, should not be in the form of a single, but should show "blossom" look. However, in terms of the future, only part of which represents the trend of the times, will become mainstream. And other categories, as outside the mainstream of furniture, also owns part of the market, with mainstream furniture coexist. BACK
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